Lord of Laziness
Registered: May 2001
Location: Over there
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| Beyond the Black Rainbow
It's the cold, shiny time of 1983. In what looks like a sci-fi future vision via the Kubrickian '60s a utopia is created to try to grant happiness to the masses via a complex regime of meditation, nature, and pharmacology--and absolute isolation in the sterile confines of building that somewhat resembles a fluorescent spaceship crash-landed within the sparse flora of a desolate earth. This utopia has been tainted by evil, and our savior is a near mute, beguiling beauty that must break through harm's way in order to regain some normalcy to her life, a life born to such a world and never matured entirely, and if this task is not achieved could possibly alter the future for us all. This is the topsy-turvy, slowly moving, marvelously rendered, and absolutely bewildering world of Beyond the Black Rainbow. This film, written and directed by Panos Cosmatos (whose daddy made several he-man action films in the actual '80s), turns lo-fi film grain, stark sets, odd camera angles, and eternal pauses in dialogue and action into a strange mosaic that is more of a compilation of what came to define hard science fiction films from the late 1960s to mid 1980s. The film begins like a post-script to "2001", or an early David Cronenberg film mutates into what resembles the "Rising" shorts of Kenneth Anger, and finally settles into the paranoia of Lucas' "THX 1138" mixed again with the mutations of the body that so intrigued Cronenberg's early efforts. This film for a small subset of film buffs, and in conception and tone most resembles the genre shot comp that was 2009's "Amer". Where that film aped sequences from Italian giallos, this seems to be doing the same for American and Russian science movies. This film feels like an experiment, or more to the point an exercise, but it is a worthwhile, rewarding viewing for their trouble in taking the trippy voyage laid out before them. I recommend it to viewers with patience and acceptance of story lines that are mostly devoid of linear narratives (you know who you are).
Trippy movie that's defintely not for everyone. However, if you're a sci-fi film buff, this is an absolute must! Cosmatos brilliantly melds the visual syles of Kubrick, Lucas' "THX-1138" and Alejandro Jodorowsky without makiing it seem like he's just rippping them off. There's a great attention to detail for his homage to the time period. Even the synths in the background music sound vintage for the era. The car used is a few scenes, of which you can only see the windshield is from an early 80's Lotus Esprit. Some viewers might be put off that there isn't any revelatory dialogue or narrative throughout the film that tells the viewer what's going on. The plot must be figured out on one's own. Most people probably shouldn't watch this while high on acid.
"Tresor never sleeps"
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